The question of the difference between Warburg’s and Panofsky and Saxl’s interpretation of melancholy is addressed here through an objection that Benjamin raises in The Origin of German tragic Drama to Panofsky and Saxl. An objection that hasn’t been considered yet, and that concerns their relation to what constitutes, according to Benjamin, their «extraordinary model»: to Karl Giehlow.
“Collectione et quasi compressione”. Benjamin e Warburg in dialologo con Panofsky e Saxl / Alice Barale. - In: SCHIFANOIA. - ISSN 2038-6591. - STAMPA. - 48-49:(2016), pp. 87-94. (Intervento presentato al convegno La “Melencolia” di Albrecht Dürer cinquecento anni dopo (1514-2014) tenutosi a Ferrara, Istituto di Alti Studi Rinascimentali nel 4-6 dicembre 2014).
“Collectione et quasi compressione”. Benjamin e Warburg in dialologo con Panofsky e Saxl.
BARALE, ALICE
2016
Abstract
The question of the difference between Warburg’s and Panofsky and Saxl’s interpretation of melancholy is addressed here through an objection that Benjamin raises in The Origin of German tragic Drama to Panofsky and Saxl. An objection that hasn’t been considered yet, and that concerns their relation to what constitutes, according to Benjamin, their «extraordinary model»: to Karl Giehlow.I documenti in FLORE sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.