The development of a system supporting querying of image databases by color content tackles a major design choice about properties of colors which are referenced within user queries. On the one hand, low-level properties directly reflect numerical features and concepts tied to the machine representation of color information. On the other hand, high-level properties address concepts such as the perceptual quality of colors and the sensations that they convey. Color-induced sensations include warmth, accordance or contrast, harmony, excitement, depression, anguish etc. In particular, paintings are an example where the message is contained more in the high-level color qualities and spatial arrangements than in the physical properties of colors. Starting from this observation, Johannes Itten (1961) introduced a formalism to analyze the use of color in art and the effects that this induces on the user's psyche. In this paper, we present a system which translates the Itten theory into a formal language that allows us to express the semantics associated with the combination of chromatic properties of color images.

SENSATIONS AND PSYCOLOGICAL EFFECTS IN COLOR IMAGE DATABASES / S. BERRETTI; A. DEL BIMBO; P. PALA. - STAMPA. - 1:(1997), pp. 560-563. (Intervento presentato al convegno IEEE ICIP97, INT. CONF. ON IMAGE PROCESSING tenutosi a S. BARBARA, USA nel October 26-29) [10.1109/ICIP.1997.647974].

SENSATIONS AND PSYCOLOGICAL EFFECTS IN COLOR IMAGE DATABASES

BERRETTI, STEFANO;DEL BIMBO, ALBERTO;PALA, PIETRO
1997

Abstract

The development of a system supporting querying of image databases by color content tackles a major design choice about properties of colors which are referenced within user queries. On the one hand, low-level properties directly reflect numerical features and concepts tied to the machine representation of color information. On the other hand, high-level properties address concepts such as the perceptual quality of colors and the sensations that they convey. Color-induced sensations include warmth, accordance or contrast, harmony, excitement, depression, anguish etc. In particular, paintings are an example where the message is contained more in the high-level color qualities and spatial arrangements than in the physical properties of colors. Starting from this observation, Johannes Itten (1961) introduced a formalism to analyze the use of color in art and the effects that this induces on the user's psyche. In this paper, we present a system which translates the Itten theory into a formal language that allows us to express the semantics associated with the combination of chromatic properties of color images.
1997
mage Processing, 1997. Proceedings., International Conference on
IEEE ICIP97, INT. CONF. ON IMAGE PROCESSING
S. BARBARA, USA
October 26-29
S. BERRETTI; A. DEL BIMBO; P. PALA
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/931
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