The digital revolution has led to the increasing hybridization of American political discourse with the language and the formats of the web, giving rise to a public/private narration where many communication codes merge and where different discursive voices are interwoven. Through the study of a qualitative dataset of messages posted on the “Timeline” section of the White House’s Facebook profile, the paper aims at examining the multimodal meaning-making strategies chosen to encode official messages with a special focus on the combination of words and images. More in detail, adopting a Critical Multimodal perspective (Machin and Mayr 2012; van Leeuwen 2013), the analysis will investigate the stance (Biber and Conrad 2000; Martin and White 2005) of the digitally remediated institutional voice (Askehave and Ellerup Nielsen 2005; Eisenlauer 2013) in order to explore whether such stance and its related textual practices are influenced by the postmodern, libertarian and play-oriented attitude typical of the so-called ‘hacker/geek’ culture (Coleman 2013; Konzack 2006).

The Participatory Stance of the White House on Facebook: A Critical Multimodal Analysis / Ilaria Moschini. - In: MULTIMODAL COMMUNICATION. - ISSN 2230-6579. - STAMPA. - 5:(2016), pp. 41-54. [10.1515/mc-2016-0005]

The Participatory Stance of the White House on Facebook: A Critical Multimodal Analysis

MOSCHINI, ILARIA
2016

Abstract

The digital revolution has led to the increasing hybridization of American political discourse with the language and the formats of the web, giving rise to a public/private narration where many communication codes merge and where different discursive voices are interwoven. Through the study of a qualitative dataset of messages posted on the “Timeline” section of the White House’s Facebook profile, the paper aims at examining the multimodal meaning-making strategies chosen to encode official messages with a special focus on the combination of words and images. More in detail, adopting a Critical Multimodal perspective (Machin and Mayr 2012; van Leeuwen 2013), the analysis will investigate the stance (Biber and Conrad 2000; Martin and White 2005) of the digitally remediated institutional voice (Askehave and Ellerup Nielsen 2005; Eisenlauer 2013) in order to explore whether such stance and its related textual practices are influenced by the postmodern, libertarian and play-oriented attitude typical of the so-called ‘hacker/geek’ culture (Coleman 2013; Konzack 2006).
2016
5
41
54
Ilaria Moschini
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1039450
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