To what extent, in medieval Romance lyric, is the idea of an original symbiosis between word and music historically grounded? Taking into account medieval documents and texts, both literary and nonliterary, this essay explores the interpretive hypothesis that one fundamental aspect of the relationship between poetry and music remained unchanged from the origins of Romance lyric through to the end of the fourteenth century: the independence of the two forms of art in the creative process, and consequently the prevalence of a division of competence and role between poets and musicians.

«Dir so, trobar vers, entendre razo». Poetry and Music in Medieval Romance Lyric / LANNUTTI, MARIA SOFIA. - In: PHILOMUSICA ON-LINE. - ISSN 1826-9001. - ELETTRONICO. - 16:(2017), pp. 89-116.

«Dir so, trobar vers, entendre razo». Poetry and Music in Medieval Romance Lyric

LANNUTTI, MARIA SOFIA
2017

Abstract

To what extent, in medieval Romance lyric, is the idea of an original symbiosis between word and music historically grounded? Taking into account medieval documents and texts, both literary and nonliterary, this essay explores the interpretive hypothesis that one fundamental aspect of the relationship between poetry and music remained unchanged from the origins of Romance lyric through to the end of the fourteenth century: the independence of the two forms of art in the creative process, and consequently the prevalence of a division of competence and role between poets and musicians.
16
89
116
LANNUTTI, MARIA SOFIA
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2158/1141979
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