Along the road that runs along the coast of Lake Maggiore, beyond Verbania in the direction of the border, stands a small house which once belonged to Aldo Rossi. A house for resting after his long trips to the United States and Japan. A world has disappeared. The sequence of images that correspond to the passage of every threshold gather fragments of a precise genesis, a sequence of times and narratives taken from objects, colours and clocks. It is the dream of a lost villa, of something that has already become a myth among the faded Polaroids and the black and white photographs found in archives. Where have all the colours gone, the memories, the objects, their dust? Buried figures which re-emerge in a construction of film frames which alternate between memory and architecture, in that place – Ghiffa – which was the beginning and end in the life of an author.

Habitaciones. Aldo Rossi y la casa en Ghiffa: símbolo, polvo y deseo/ Rooms. Aldo Rossi and the house in Ghiffa: symbol, dust and desire / Michelangelo Pivetta; Vincenzo Moschetti. - ELETTRONICO. - (2019), pp. 1609-1619. (Intervento presentato al convegno La casa: espacio domésticos, modos de habitar. II Congreso Internacional Cultura y Ciudad tenutosi a Granada nel 23-25 gennaio 2019).

Habitaciones. Aldo Rossi y la casa en Ghiffa: símbolo, polvo y deseo/ Rooms. Aldo Rossi and the house in Ghiffa: symbol, dust and desire

Michelangelo Pivetta;
2019

Abstract

Along the road that runs along the coast of Lake Maggiore, beyond Verbania in the direction of the border, stands a small house which once belonged to Aldo Rossi. A house for resting after his long trips to the United States and Japan. A world has disappeared. The sequence of images that correspond to the passage of every threshold gather fragments of a precise genesis, a sequence of times and narratives taken from objects, colours and clocks. It is the dream of a lost villa, of something that has already become a myth among the faded Polaroids and the black and white photographs found in archives. Where have all the colours gone, the memories, the objects, their dust? Buried figures which re-emerge in a construction of film frames which alternate between memory and architecture, in that place – Ghiffa – which was the beginning and end in the life of an author.
2019
La casa. Espacio domésticos, modos de habitar
La casa: espacio domésticos, modos de habitar. II Congreso Internacional Cultura y Ciudad
Granada
23-25 gennaio 2019
Michelangelo Pivetta; Vincenzo Moschetti
File in questo prodotto:
File Dimensione Formato  
PAPER.pdf

Accesso chiuso

Tipologia: Pdf editoriale (Version of record)
Licenza: Tutti i diritti riservati
Dimensione 4.22 MB
Formato Adobe PDF
4.22 MB Adobe PDF   Richiedi una copia

I documenti in FLORE sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1148409
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact