The narration of the episode of Actaeon in Ovid’s Metamorphoses is introduced by two verses (Met. III 141-142), in which – strangely enough for the Ovidian style in the poem – the narrative voice gives a judgement about the punishment inflicted by Diana on the innocent Actaeon. The article aims to explore three different hypotheses that can explain such unusual comment on the events: revision during the exile, interpolation, intertextual allusion to a different literary tradition, in which Actaeon was not so innocent.
Per una riconsiderazione di Ov. Met. 3, 141-2: uno, nessuno e centomila Atteone / Laura Aresi. - In: AEVUM ANTIQUUM. - ISSN 1121-8932. - STAMPA. - 15:(2017), pp. 155-169.
Per una riconsiderazione di Ov. Met. 3, 141-2: uno, nessuno e centomila Atteone
Laura Aresi
2017
Abstract
The narration of the episode of Actaeon in Ovid’s Metamorphoses is introduced by two verses (Met. III 141-142), in which – strangely enough for the Ovidian style in the poem – the narrative voice gives a judgement about the punishment inflicted by Diana on the innocent Actaeon. The article aims to explore three different hypotheses that can explain such unusual comment on the events: revision during the exile, interpolation, intertextual allusion to a different literary tradition, in which Actaeon was not so innocent.File | Dimensione | Formato | |
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