Questo articolo esplora la connesione tra rituale cognitivo e performance teatrale nell'Śaivismo non duale basato sullo studio testuale del Maharthamanjari scritto da Mahesvaranda (XIII-XIV) secolo e testi correlati. This paper explores the connection between cognitive ritual and theatrical performance in non-dual Śaivism based on the textual study of the Mahārthamañjarī written by Maheśvarānanda (13th–14th centuries) and related texts.
Becoming the Dancer: Dissolving the Boundaries Between Ritual, Cognition, and Theatrical Performance in Non-dual Śaivism / Aleksandra Bozena Wenta. - In: CRACOW INDOLOGICAL STUDIES. - ISSN 1732-0917. - STAMPA. - (2018), pp. 259-295. [10.12797/CIS.20.2018.01.10]
Becoming the Dancer: Dissolving the Boundaries Between Ritual, Cognition, and Theatrical Performance in Non-dual Śaivism
Aleksandra Bozena Wenta
2018
Abstract
Questo articolo esplora la connesione tra rituale cognitivo e performance teatrale nell'Śaivismo non duale basato sullo studio testuale del Maharthamanjari scritto da Mahesvaranda (XIII-XIV) secolo e testi correlati. This paper explores the connection between cognitive ritual and theatrical performance in non-dual Śaivism based on the textual study of the Mahārthamañjarī written by Maheśvarānanda (13th–14th centuries) and related texts.
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