This paper presents a generalization of the well-known neo-Riemannian group PLR to the classical five types of seventh chord (dominant, minor, half-diminished, major, diminished) considered as tetrachords with a marked root and proving that it is isomorphic to the abstract group $S_5 ltimes mathbb{Z}_{12}^4$. This group includes as subgroups the PLR group and several other groups already appeared in the literature.

On the Group of Transformations of Classical Types of Seventh Chords / CANNAS, SONIA; Samuele Antonini; Ludovico Pernazza. - STAMPA. - 10527:(2017), pp. 13-25. (Intervento presentato al convegno Mathematics and Computation in Music tenutosi a Mexico City, Mexico nel June 26-29, 2017) [10.1007/978-3-319-71827-9_2].

On the Group of Transformations of Classical Types of Seventh Chords

Samuele Antonini;
2017

Abstract

This paper presents a generalization of the well-known neo-Riemannian group PLR to the classical five types of seventh chord (dominant, minor, half-diminished, major, diminished) considered as tetrachords with a marked root and proving that it is isomorphic to the abstract group $S_5 ltimes mathbb{Z}_{12}^4$. This group includes as subgroups the PLR group and several other groups already appeared in the literature.
2017
Mathematics and Computation in Music
Mathematics and Computation in Music
Mexico City, Mexico
June 26-29, 2017
CANNAS, SONIA; Samuele Antonini; Ludovico Pernazza
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1244516
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