Chipperfield was capable of restoring and updating Mies van der Rohe’s Neue Nationalgalerie without losing sight of the integrity of the space and its original values, by intervening at the planimetric level and on the glass facade. The breadth of vision with which the operation was undertaken made it possible to consider the technical aspects not as facts in themselves, but rather as the material translation of Mies van der Rohe’s theoretical thought.
David Chipperfield. Restauro della Neue Nationalgalerie, Berlino; Restoration of the Neue Nationalgalerie, Berlin / Francesca Mugnai. - In: FIRENZE ARCHITETTURA. - ISSN 1826-0772. - STAMPA. - 2:(2021), pp. 26-37.
David Chipperfield. Restauro della Neue Nationalgalerie, Berlino; Restoration of the Neue Nationalgalerie, Berlin
Francesca Mugnai
2021
Abstract
Chipperfield was capable of restoring and updating Mies van der Rohe’s Neue Nationalgalerie without losing sight of the integrity of the space and its original values, by intervening at the planimetric level and on the glass facade. The breadth of vision with which the operation was undertaken made it possible to consider the technical aspects not as facts in themselves, but rather as the material translation of Mies van der Rohe’s theoretical thought.
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