Social media (SM) platforms are gaining a leading role as a communication tool for museums, representing an important tool which these institutions can use to engage with their audience. Despite the strategic potential of SM, most museums exhibit a low level of social activity and are still in a phase of monologic communication with their public. In this vein, the present paper aims to investigate whether the top 3 most visited museums in Europe with an official profile on Facebook, namely the Louvre, the British Museum and Tate Modern, use this social platform merely as a marketing tool, or if, on the contrary, they exploit its potential to establish two-way (i.e., dialogic) communication. The results of the analysis show that, although the museums in question are turning to SM increasingly often, their approach continues to be exclusively communicational; indeed, the interactions between the museums and their public are very limited.

Museums and their audience: Towards dialogic communication through Social Media? / Marco Contri. - In: INTERNATIONAL JOURNAL OF DIGITAL CULTURE AND ELECTRONIC TOURISM. - ISSN 1753-5212. - STAMPA. - 3:(2020), pp. 22-35. [10.1504/IJDCET.2020.105886]

Museums and their audience: Towards dialogic communication through Social Media?

Marco Contri
2020

Abstract

Social media (SM) platforms are gaining a leading role as a communication tool for museums, representing an important tool which these institutions can use to engage with their audience. Despite the strategic potential of SM, most museums exhibit a low level of social activity and are still in a phase of monologic communication with their public. In this vein, the present paper aims to investigate whether the top 3 most visited museums in Europe with an official profile on Facebook, namely the Louvre, the British Museum and Tate Modern, use this social platform merely as a marketing tool, or if, on the contrary, they exploit its potential to establish two-way (i.e., dialogic) communication. The results of the analysis show that, although the museums in question are turning to SM increasingly often, their approach continues to be exclusively communicational; indeed, the interactions between the museums and their public are very limited.
2020
3
22
35
Marco Contri
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1320712
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