We studied the painted decorations found during recent restoration work in the Alexander Palace in Tsarskoye Selo. Optical/laser spectroscopic methods were applied to obtain a characterization of the materials, pigments, and binders in use and, possibly, their degradation. We analyzed samples of the original Art Nouveau style decoration that was detached in 2019 during conservation work at the State Office of Emperor Nicholas II. A combination of Raman microscopy, infrared spectroscopy, and elemental analysis (obtained from the optical emission following laser plasma formation) allowed us to obtain detailed information on the materials used. The precious pigments of the artist’s green-blue palette and the binder used (drying oil) were identified. A mixture of blue (Prussian blue and ultramarine blue), white (lead white and barium white), and yellow (chrome yellow and zinc yellow) pigments determined the different blue hues used. The use of bronze paint in the dark blue area, which was identified as a brass powder applied with a drying oil as a binder, was also demonstrated.

A Spectroscopy-Based Multi-Analytical Approach for Studies in Conservation: Decorations in the Alexander Palace (Tsarskoye Selo) / Marilena Ricci, Federico Sebastiani, Maurizio Becucci, Mikhail Rogozny, Vadim Parfenov. - In: SPECTROSCOPY JOURNAL. - ISSN 2813-446X. - ELETTRONICO. - 1:(2023), pp. 121-136.

A Spectroscopy-Based Multi-Analytical Approach for Studies in Conservation: Decorations in the Alexander Palace (Tsarskoye Selo)

Marilena Ricci;Federico Sebastiani;Maurizio Becucci
;
Vadim Parfenov
2023

Abstract

We studied the painted decorations found during recent restoration work in the Alexander Palace in Tsarskoye Selo. Optical/laser spectroscopic methods were applied to obtain a characterization of the materials, pigments, and binders in use and, possibly, their degradation. We analyzed samples of the original Art Nouveau style decoration that was detached in 2019 during conservation work at the State Office of Emperor Nicholas II. A combination of Raman microscopy, infrared spectroscopy, and elemental analysis (obtained from the optical emission following laser plasma formation) allowed us to obtain detailed information on the materials used. The precious pigments of the artist’s green-blue palette and the binder used (drying oil) were identified. A mixture of blue (Prussian blue and ultramarine blue), white (lead white and barium white), and yellow (chrome yellow and zinc yellow) pigments determined the different blue hues used. The use of bronze paint in the dark blue area, which was identified as a brass powder applied with a drying oil as a binder, was also demonstrated.
2023
1
121
136
Marilena Ricci, Federico Sebastiani, Maurizio Becucci, Mikhail Rogozny, Vadim Parfenov
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1336137
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