In 2016, the Caruso St John studio designed for the organ of Canterbury Cathedral a place of music but even more so of silence, which in musical syntax is expressed by the pause. A suspension which in music is a readiness to wait, the anticipation of sound and the promise of a beginning, and that in the project for the Cathedral becomes a physical interruption, a break that is accomplished as a detachment from the ground. The work on the space carried out by Caruso St John derives from thoughtful research on the context through a constant exercise that is not limited to historical and architectural analysis but, by evocation of related images, includes all fields of art in the interpretation of the place.

Caruso St John Architects Spazio per l’organo nella Cattedrale di Canterbury, Regno Unito / Giuseppe Cosentino. - In: FIRENZE ARCHITETTURA. - ISSN 2035-4444. - STAMPA. - 2:(2022), pp. 88-99.

Caruso St John Architects Spazio per l’organo nella Cattedrale di Canterbury, Regno Unito

Giuseppe Cosentino
2022

Abstract

In 2016, the Caruso St John studio designed for the organ of Canterbury Cathedral a place of music but even more so of silence, which in musical syntax is expressed by the pause. A suspension which in music is a readiness to wait, the anticipation of sound and the promise of a beginning, and that in the project for the Cathedral becomes a physical interruption, a break that is accomplished as a detachment from the ground. The work on the space carried out by Caruso St John derives from thoughtful research on the context through a constant exercise that is not limited to historical and architectural analysis but, by evocation of related images, includes all fields of art in the interpretation of the place.
2022
2
88
99
Giuseppe Cosentino
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1349934
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