The contribution revolves around the use of polychromy on clay and wood by the modern sculptors Leoncillo and Marino Marini, arguing that the choice of polychromy should be intended as a cultural response to specific sources of modernism of the early 20th century.
Polychromy in modern Italian sculpture. New perspectives and case studies of works by Marino Marini and Leoncillo Leonardi / Francesco Guzzetti. - STAMPA. - (2017), pp. 136-139. (Intervento presentato al convegno Polychrome Sculpture: Decorative Practice and Artistic Tradition tenutosi a Instituto Politécnico de Tomar, Tomar, Portugal nel 28-29 maggio 2013).
Polychromy in modern Italian sculpture. New perspectives and case studies of works by Marino Marini and Leoncillo Leonardi.
Francesco Guzzetti
2017
Abstract
The contribution revolves around the use of polychromy on clay and wood by the modern sculptors Leoncillo and Marino Marini, arguing that the choice of polychromy should be intended as a cultural response to specific sources of modernism of the early 20th century.
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