Recent archival research have revealed a facet of Giacomo Puccini as a keen and knowledgeable photographer. There are many possible interpretations of this heritage of shots and prints: from a new pathway for further biographical studies to a useful resource for tracing stylistic and aesthetic approaches. We would like to propose an interpretation that focuses on examples in which the fascination with the topological-spatial qualities of places observed and experienced emerges clearly, beyond any lyrical-intimist emphasis. Photographs in which the “geographical truth” is recorded in accordance with a morphological-compositional lexicon of the gaze made of distances and depths, intervals and rhythms, cadences and tone, whose correspondences and divergences with musical syntax remain to be investigated and deciphered.
!Opera mia! Fotografie di Giacomo Puccini / Fabrizio Arrigoni. - In: FIRENZE ARCHITETTURA. - ISSN 1826-0772. - STAMPA. - 1:(2024), pp. 170-179.
!Opera mia! Fotografie di Giacomo Puccini
Fabrizio Arrigoni
2024
Abstract
Recent archival research have revealed a facet of Giacomo Puccini as a keen and knowledgeable photographer. There are many possible interpretations of this heritage of shots and prints: from a new pathway for further biographical studies to a useful resource for tracing stylistic and aesthetic approaches. We would like to propose an interpretation that focuses on examples in which the fascination with the topological-spatial qualities of places observed and experienced emerges clearly, beyond any lyrical-intimist emphasis. Photographs in which the “geographical truth” is recorded in accordance with a morphological-compositional lexicon of the gaze made of distances and depths, intervals and rhythms, cadences and tone, whose correspondences and divergences with musical syntax remain to be investigated and deciphered.File | Dimensione | Formato | |
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