Over the past two decades, ‘eco-art’ increasingly focused on issues related to climate collapse and the so-called Anthropocene, often embracing apocalyptic and destructive narratives. Through two case studies of Italian artists Marzia Migliora and Luigi Coppola, this contribution aims to highlight how some of these practices can range from raising awareness to inspiring action, using tools such as the archeology of social imagi- nary, utopia, and practices of commoning, effectively promoting sustainability and societal change. The article underscores the ability of eco-art to generate new imaginaries that transcend visual representation, acting as catalysts for cultural and environmental change.
Art in the Capitalocene from Awareness to Action. The Work of Marzia Migliora and Luigi Coppola / Virginia Vannucchi. - ELETTRONICO. - 8:(2024), pp. 175-190. (Intervento presentato al convegno In my End is my Beginning. Dialectical Images in Times of Crisis tenutosi a Università Ca' Foscari nel 09/10/2024-11/10/2024) [10.30687/978-88-6969-878-1/010].
Art in the Capitalocene from Awareness to Action. The Work of Marzia Migliora and Luigi Coppola
Virginia Vannucchi
Writing – Original Draft Preparation
2024
Abstract
Over the past two decades, ‘eco-art’ increasingly focused on issues related to climate collapse and the so-called Anthropocene, often embracing apocalyptic and destructive narratives. Through two case studies of Italian artists Marzia Migliora and Luigi Coppola, this contribution aims to highlight how some of these practices can range from raising awareness to inspiring action, using tools such as the archeology of social imagi- nary, utopia, and practices of commoning, effectively promoting sustainability and societal change. The article underscores the ability of eco-art to generate new imaginaries that transcend visual representation, acting as catalysts for cultural and environmental change.File | Dimensione | Formato | |
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Art in the Capitalocene from Awareness to Action. The work of Marzia Migliora and Luigi Coppola.pdf
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Descrizione: Over the past two decades, ‘eco-art’ increasingly focused on issues related to climate collapse and the so-called Anthropocene, often embracing apocalyptic and destructive narratives. Through two case studies of Italian artists Marzia Migliora and Luigi Coppola, this contribution aims to highlight how some of these practices can range from raising awareness to inspiring action, using tools such as the archeology of social imagi- nary, utopia, and practices of commoning, effectively promoting sustainability and societal change. The article underscores the ability of eco-art to generate new imaginaries that transcend visual representation, acting as catalysts for cultural and environmental change.
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