The Many Virtues of the Strange Type Eε. Metre, Semantics and Intertextuality in Dróttkvætt

The pattern defined by Eduard Sievers as ‘Eε’ is the only line-type in dróttkvætt to have a trisyllabic word in the final metrical positions 4–6, thus deviating from the otherwise ubiquitous disyllabic closing (positions 5–6). This comports prosodic peculiarities that ultimately have the effect of emphasizing the compound occurring at the end of the line, which in early dróttkvætt happens often to be a proper name. When this is the case, Eε lines can also violate Craigie’s prescription of short-stemmed nouns in position 4 (Craigie’s Law). Despite their prosodical oddity, Eε lines are relatively frequent throughout the corpus. In fact, arguably because of their exceptional features, these lines were used since the earliest known skaldic poems in rhetorically charged functions, such as the celebration of the skald’s patron or in the poem’s refrain (stef). Another conspicuous characteristic of Eεs is their tendency to recur as formulaic tags, echoes and in deliberate intertextual games across the skaldic canon. Metrical exceptions and licenses appear indeed to have attracted the skalds’ attention and to have played a key role in skaldic referentiality. The present article will explore the interface between metre, semantics and intertextuality in Eε lines, with an eye to the occurrence of identical lines poem-internally (refrain-technique) as well as across the corpus of early poetry in dróttkvætt.