Interreligious conversations: a sociological analysis of practices of otherness and identity in a museum of sacred art

Abstract (1) Background: From a post-secular perspective, the relationship between religions in the public sphere is conceived as an exchange in which religious beliefs, when formulated as rational arguments, contribute to building a shared public culture and foster a democratic transformation of interreligious relations. This article critiques this approach, highlighting its neglect of the lived experience of religion and, in particular, the situated and situational nature of processes of religious identity and religious difference formation. (2) Methods: Ethnographic observation of a performance held in a sacred art museum in Tuscany by immigrants from different religious backgrounds, four semi-structured interviews with performers, and one interview with the museum director were conducted. (3) Results: Personal and religious narratives, along with face-to-face interactions, generate dynamics of identification, differentiation, and situated identity redefinition. Interaction with the artwork, framed as a shared space, facilitates shifts in religious self and other positioning. It also reconfigures the boundaries between “us” and “them.” The artwork acts as a symbolic device that enables multiple interpretations and unexpected forms of recognition. (4) Conclusions: Relations of identification and distinction among religious identities are transformed not through abstract rational deliberation but through concrete, discursive, and performative practices.