The restoration of Florence’s and other world-class state collections constituted a milestone in the cathartic rebuilding of the Italian nation after Fascism. Yet, this often happened at the expenses of Jewish citizens and ex-colonial subjects, whose dispossession fell into oblivion at least until the 1960s – and often until the late 1980s. Even when the subject of fascist-looted art did come up, its treatment was exemplary of Italy’s lopsided processing of its involvement in the Holocaust.

„Die ‚Rückkehr der Schönheit‘? Geplünderte Kunst im Italien der Nachkriegszeit“ / Gaudenzi B. - STAMPA. - (2022), pp. 44-45.

„Die ‚Rückkehr der Schönheit‘? Geplünderte Kunst im Italien der Nachkriegszeit“

Gaudenzi B
2022

Abstract

The restoration of Florence’s and other world-class state collections constituted a milestone in the cathartic rebuilding of the Italian nation after Fascism. Yet, this often happened at the expenses of Jewish citizens and ex-colonial subjects, whose dispossession fell into oblivion at least until the 1960s – and often until the late 1980s. Even when the subject of fascist-looted art did come up, its treatment was exemplary of Italy’s lopsided processing of its involvement in the Holocaust.
2022
Gaudenzi B
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1437379
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