This paper dialogues with the traditional historiographical reading of the Laurentian Complex, seeking to complement the established studies on the abstract modular Or-der by focusing on its material implementation. The essay advances the thesis that the Laurentian site, defined by pre-existing structures and a complex "piecemeal" evolution, is a "palimpsest" whose current form is the result of a continuous process of material adaptation.The Renaissance "module" is framed not as a rigid grid, but as an ideal norm (regula) constantly mediated by constructional practice (facture) and the inevitable in situ adap-tations. This essay presents a "knowledge project" based on an integrated digital survey (TLS, GNSS, UAV). This apparatus is not aimed at a purely abstract verification of the module, but rather at scientifically measuring the discrepancy between the ideal norm and the reality of the construction site.The unified metric infrastructure allows, for the first time, for the mapping of three-di-mensional discontinuities. This approach quantifies the structural and altimetric differ-ences between the foundations, the transept of the first phase, and the subsequently built nave, as well as the physical constraints of pre-existing elements. This process transforms the Survey from a documentary act into a hermeneutic investigation. The Drawing (Representation) thus becomes the critical synthesis that "puts in order" the palimpsest, making legible the complex stratification of adaptation, which constitutes the material realization of the Order on the site.

Beyond the Module: Measuring Adaptation in the Laurentian Palimpsest / Bigongiari, Matteo. - In: TRIBELON. - ISSN 3035-1421. - STAMPA. - 2:(2025), pp. 66-75. [10.36253/tribelon-3720]

Beyond the Module: Measuring Adaptation in the Laurentian Palimpsest

Bigongiari, Matteo
2025

Abstract

This paper dialogues with the traditional historiographical reading of the Laurentian Complex, seeking to complement the established studies on the abstract modular Or-der by focusing on its material implementation. The essay advances the thesis that the Laurentian site, defined by pre-existing structures and a complex "piecemeal" evolution, is a "palimpsest" whose current form is the result of a continuous process of material adaptation.The Renaissance "module" is framed not as a rigid grid, but as an ideal norm (regula) constantly mediated by constructional practice (facture) and the inevitable in situ adap-tations. This essay presents a "knowledge project" based on an integrated digital survey (TLS, GNSS, UAV). This apparatus is not aimed at a purely abstract verification of the module, but rather at scientifically measuring the discrepancy between the ideal norm and the reality of the construction site.The unified metric infrastructure allows, for the first time, for the mapping of three-di-mensional discontinuities. This approach quantifies the structural and altimetric differ-ences between the foundations, the transept of the first phase, and the subsequently built nave, as well as the physical constraints of pre-existing elements. This process transforms the Survey from a documentary act into a hermeneutic investigation. The Drawing (Representation) thus becomes the critical synthesis that "puts in order" the palimpsest, making legible the complex stratification of adaptation, which constitutes the material realization of the Order on the site.
2025
2
66
75
Bigongiari, Matteo
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1444252
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