This paper highlights the events that inspired Carlo Scarpa to design the spatial arrangement and furnishings of the Council Chamber of the Province of Parma between 1953 and 1956. Armando Pizzinato, who taught style and mural painting at the Paolo Toschi Art Institute in Parma, played a fundamental role in obtaining the assignment. Pizzinato was entrusted with the task of frescoing the walls of the Council Chamber itself. Unpublished documents can be analysed to determine when the work was conceived and how it was implemented, precisely outlining the chronological phases of the project and identifying the Venice and Parma artisans. The archival papers reveal the complex conservation events of the work, the protection of which Pizzinato was constantly committed. Valeriano Pastor, a former collaborator of Scarpa from 1954 to 1956, would begin the restoration process of the Council Chamber.

“Nella natura della pietra, del legno, del ferro”. Armando Pizzinato, Carlo Scarpa e Valeriano Pastor e i lavori per la sala del Consiglio del palazzo della Provincia di Parma / eleonora caggiati. - In: STUDI E RICERCHE DI STORIA DELL'ARCHITETTURA. - ISSN 2532-2699. - ELETTRONICO. - 17:(2025), pp. 144-157. [10.6093/2532-2699/12549]

“Nella natura della pietra, del legno, del ferro”. Armando Pizzinato, Carlo Scarpa e Valeriano Pastor e i lavori per la sala del Consiglio del palazzo della Provincia di Parma

eleonora caggiati
2025

Abstract

This paper highlights the events that inspired Carlo Scarpa to design the spatial arrangement and furnishings of the Council Chamber of the Province of Parma between 1953 and 1956. Armando Pizzinato, who taught style and mural painting at the Paolo Toschi Art Institute in Parma, played a fundamental role in obtaining the assignment. Pizzinato was entrusted with the task of frescoing the walls of the Council Chamber itself. Unpublished documents can be analysed to determine when the work was conceived and how it was implemented, precisely outlining the chronological phases of the project and identifying the Venice and Parma artisans. The archival papers reveal the complex conservation events of the work, the protection of which Pizzinato was constantly committed. Valeriano Pastor, a former collaborator of Scarpa from 1954 to 1956, would begin the restoration process of the Council Chamber.
2025
17
144
157
eleonora caggiati
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1478293
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