Moving from the famous essay by G.E. Lessing (Laokoon, 1766), my paper aims at applying Lessing’s distinction between poetry and painting (conceived as the art of temporality – painting – and the art of spatiality – poetry) to the couple cinema/comics. For this purpose, I analyse a particular comic book (precisely, a graphic novel), Watchmen by Alan Moore, and its recent film version directed by Zack Snyder (2009).
Da Laocoonte a Watchmen. Il cinema sta al fumetto come la poesia alla pittura / Mariagrazia Portera. - In: AISTHESIS. - ISSN 2035-8466. - ELETTRONICO. - (2009), pp. 115-131.
Da Laocoonte a Watchmen. Il cinema sta al fumetto come la poesia alla pittura
PORTERA, MARIAGRAZIA
2009
Abstract
Moving from the famous essay by G.E. Lessing (Laokoon, 1766), my paper aims at applying Lessing’s distinction between poetry and painting (conceived as the art of temporality – painting – and the art of spatiality – poetry) to the couple cinema/comics. For this purpose, I analyse a particular comic book (precisely, a graphic novel), Watchmen by Alan Moore, and its recent film version directed by Zack Snyder (2009).
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