In this paper, the author presents a brief overview of Eduard Limonov’s (1943) and Emmanuel Carrère’s (1957) artistic productions, especially dealing with their approaches to the relationship between fiction and reality. Reading Limonov’s autobiographical works, Carrère re-creates his pseudo-biographical depictions, “portraying” and interpreting Edichka’s “forma povedeniia”, or manner of life. The introduction of an intrusive narrator works as a strategy to “wear the narcissistic mask”. Analysing Limonov’s autobiographical mode, it is possible to observe how Carrère elaborates a complementary narrative level to “narrate his own self”, following Edichka’s experience.

"Eto ia - Carrère": Analysing the influence of Limonov's autobiographical mode in Carrère's literary work / Marco Puleri. - In: AVTOBIOGRAFIJA. - ISSN 2281-6992. - ELETTRONICO. - (2014), pp. 427-437.

"Eto ia - Carrère": Analysing the influence of Limonov's autobiographical mode in Carrère's literary work.

PULERI, MARCO
2014

Abstract

In this paper, the author presents a brief overview of Eduard Limonov’s (1943) and Emmanuel Carrère’s (1957) artistic productions, especially dealing with their approaches to the relationship between fiction and reality. Reading Limonov’s autobiographical works, Carrère re-creates his pseudo-biographical depictions, “portraying” and interpreting Edichka’s “forma povedeniia”, or manner of life. The introduction of an intrusive narrator works as a strategy to “wear the narcissistic mask”. Analysing Limonov’s autobiographical mode, it is possible to observe how Carrère elaborates a complementary narrative level to “narrate his own self”, following Edichka’s experience.
427
437
Marco Puleri
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2158/960667
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