The recent escalation of the Ukrainian crisis revealed the need for redefining the national cultural borders of the region. The literary community plays an important role in processing the ongoing historical “catastrophe”, in an attempt to understand heterogeneous and polyphonic Ukrainian voices, and in order to comprehend the reasons which lay behind the current ideological polarizations. The “hybrid” position of the Russophone literary community in Ukraine reveals interesting features in order to analyse the composite pattern of the region. This article investigates the role and strategies adopted by these “in-between” cultural actors in face of recent events. Their fluid identities cross the rigid borders marked by political and historical narratives. Questioning the fixed constructs of national and cultural identity, they aim to give way to a new kind of “negotiation” between Ukrainian and Russian cultural systems. These “voices from the edges” have a collective value in order to convey a new sense of belonging to a coherent political and cultural community. The reading of Elena Stjažkina’s Diaries, translated into Italian by Valentina Rossi, give us the chance to interpret this Russian speaking writer’s path towards the birth of an alternative model of “national identity”.

"C'era una volta un paese, ed era...la mia Patria". Voci dai "margini": Diari di guerra da Donec'k / Marco Puleri. - In: LEA. - ISSN 1824-484X. - ELETTRONICO. - (2014), pp. 65-71.

"C'era una volta un paese, ed era...la mia Patria". Voci dai "margini": Diari di guerra da Donec'k

PULERI, MARCO
2014

Abstract

The recent escalation of the Ukrainian crisis revealed the need for redefining the national cultural borders of the region. The literary community plays an important role in processing the ongoing historical “catastrophe”, in an attempt to understand heterogeneous and polyphonic Ukrainian voices, and in order to comprehend the reasons which lay behind the current ideological polarizations. The “hybrid” position of the Russophone literary community in Ukraine reveals interesting features in order to analyse the composite pattern of the region. This article investigates the role and strategies adopted by these “in-between” cultural actors in face of recent events. Their fluid identities cross the rigid borders marked by political and historical narratives. Questioning the fixed constructs of national and cultural identity, they aim to give way to a new kind of “negotiation” between Ukrainian and Russian cultural systems. These “voices from the edges” have a collective value in order to convey a new sense of belonging to a coherent political and cultural community. The reading of Elena Stjažkina’s Diaries, translated into Italian by Valentina Rossi, give us the chance to interpret this Russian speaking writer’s path towards the birth of an alternative model of “national identity”.
2014
LEA
65
71
Marco Puleri
File in questo prodotto:
File Dimensione Formato  
7629-Article Text-7506-1-1-20190718.pdf

accesso aperto

Tipologia: Pdf editoriale (Version of record)
Licenza: Creative commons
Dimensione 116.45 kB
Formato Adobe PDF
116.45 kB Adobe PDF

I documenti in FLORE sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/960668
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact