The volume is organized into five parts. The first, Framing the Frame’, consists of a long, dense and extremely stimulating contribution by the editors, synthetizing and developing the work of the entire group of authors. Four more parts follow, analysing (and framing) different fields: Pictorial Space, Bodies, the Sacred, and, finally, Texts. The first paper, ‘Framing the visual in Greek and Roman antiquity: an introduction’, reflects on the core of the volume. Platt and Squire set forth the most interesting results and methodological innovations of the book in a clear and convincing way.
Review to V. Platt, M. Squire (ed.), The Frame in Classical Art: A Cultural History. Cambridge; New York 2017 / Liverani. - In: BRYN MAWR CLASSICAL REVIEW. - ISSN 1063-2948. - ELETTRONICO. - 2018:(2018), pp. 0-0.
Review to V. Platt, M. Squire (ed.), The Frame in Classical Art: A Cultural History. Cambridge; New York 2017
Liverani
2018
Abstract
The volume is organized into five parts. The first, Framing the Frame’, consists of a long, dense and extremely stimulating contribution by the editors, synthetizing and developing the work of the entire group of authors. Four more parts follow, analysing (and framing) different fields: Pictorial Space, Bodies, the Sacred, and, finally, Texts. The first paper, ‘Framing the visual in Greek and Roman antiquity: an introduction’, reflects on the core of the volume. Platt and Squire set forth the most interesting results and methodological innovations of the book in a clear and convincing way.File | Dimensione | Formato | |
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