Mannerist reminiscences and a research on the informal characterise the iconographic evolution of the Crucifixions painted by Leonardo Savioli in 1962. Through the representation of the Passion of Christ Savioli narrates the human condition, its suffering, but also its inexhaustible and salvific ‘desperate vitality’.
Leonardo Savioli, Deposizioni contemporanee / Francesca Privitera. - In: FIRENZE ARCHITETTURA. - ISSN 1826-0772. - STAMPA. - (2018), pp. 116-121. [10.13128/FiAr-24833]
Leonardo Savioli, Deposizioni contemporanee
Francesca Privitera
2018
Abstract
Mannerist reminiscences and a research on the informal characterise the iconographic evolution of the Crucifixions painted by Leonardo Savioli in 1962. Through the representation of the Passion of Christ Savioli narrates the human condition, its suffering, but also its inexhaustible and salvific ‘desperate vitality’.
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