The essay investigates the connections between the fortune of neoclassicism, re-appraised by Giulio Carlo Argan in Italy in the late 1960s, and the new avant-garde emerging concurrently. Argan's interpretation of the distinctive sense of the past of Canova and the ultimate anti-historicist character of neoclassicism widely circulated among artists and critics and resonated with the conceptual attitude of artists like Giulio Paolini and Luciano Fabro.
‘Anti-storicisti, intellettualistici, e fortemente critici’: Canova e l’arte italiana, 1968–1973 / Francesco Guzzetti. - STAMPA. - (2019), pp. 85-97.
‘Anti-storicisti, intellettualistici, e fortemente critici’: Canova e l’arte italiana, 1968–1973
Francesco Guzzetti
2019
Abstract
The essay investigates the connections between the fortune of neoclassicism, re-appraised by Giulio Carlo Argan in Italy in the late 1960s, and the new avant-garde emerging concurrently. Argan's interpretation of the distinctive sense of the past of Canova and the ultimate anti-historicist character of neoclassicism widely circulated among artists and critics and resonated with the conceptual attitude of artists like Giulio Paolini and Luciano Fabro.
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