Cultural Heritage structures are key elements of societies’ cultural iden-tity and strategic assets in modern economies. Their conservation requires the collaboration of a wide range of specialized professionals from different technical fields. Statues or other artifacts, composed of an assembly of rigid blocks, are a particular subclass of CH structures with invaluable historic and artistic signifi-cance, often coupled with an inherent structural fragility. This paper discusses the multidisciplinary approach to the conservation problem of the Pulpit in the church of Sant’Andrea in Pistoia (Italy), a medieval masterwork by the Italian sculptor Giovanni Pisano, with a focus on the structural perspective. The conservation project has involved the use of laser scanning techniques, the implementation of an exper-imental campaign for material characterization, the design and installation of a structural monitoring system, the dynamic identification of the structure, and it has just completed the stage of design and calibration of a numerical model for safety assessment. The results of the current stage of the conservation project are presented hereafter.
Transdisciplinary Conservation of Sant’Andrea Pulpit in Pistoia (Italy): The Structural Perspective / Marafini, Francesca; Matteini, Alessio; Betti, Michele; Zini, Giacomo; Bartoli, Gianni. - ELETTRONICO. - 33:(2024), pp. 65-77. (Intervento presentato al convegno 3rd International Conference Transdisciplinary Multispectral Modelling and Cooperation for the Preservation of Cultural Heritage Recapturing the World in Conflict through Culture, TMM_CH 2023 tenutosi a Athens, Greece nel 20-23 March 2023) [10.1007/978-3-031-42239-3_6].
Transdisciplinary Conservation of Sant’Andrea Pulpit in Pistoia (Italy): The Structural Perspective
Marafini, Francesca;Betti, Michele;Zini, Giacomo;Bartoli, Gianni
2024
Abstract
Cultural Heritage structures are key elements of societies’ cultural iden-tity and strategic assets in modern economies. Their conservation requires the collaboration of a wide range of specialized professionals from different technical fields. Statues or other artifacts, composed of an assembly of rigid blocks, are a particular subclass of CH structures with invaluable historic and artistic signifi-cance, often coupled with an inherent structural fragility. This paper discusses the multidisciplinary approach to the conservation problem of the Pulpit in the church of Sant’Andrea in Pistoia (Italy), a medieval masterwork by the Italian sculptor Giovanni Pisano, with a focus on the structural perspective. The conservation project has involved the use of laser scanning techniques, the implementation of an exper-imental campaign for material characterization, the design and installation of a structural monitoring system, the dynamic identification of the structure, and it has just completed the stage of design and calibration of a numerical model for safety assessment. The results of the current stage of the conservation project are presented hereafter.File | Dimensione | Formato | |
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