The essay revolves around the practice of Emilio Vedova as a print-maker. The extensive body of works on paper produced by the artist throughout his life, by means of a multifaceted array of media, ranging from the traditional ones (etching, lithograph) to the most experimental processes, involving sugar or other materials, encapsulates the most relevant aspects of Vedova's art and represents the artist's most genuine and expressive contribution to the evolution of the art of his time by virtue of an inexhaustible cultural and political commitment.

La vita è sogno/La vita è segno / Francesco Guzzetti. - STAMPA. - (2023), pp. 8-13.

La vita è sogno/La vita è segno

Francesco Guzzetti
2023

Abstract

The essay revolves around the practice of Emilio Vedova as a print-maker. The extensive body of works on paper produced by the artist throughout his life, by means of a multifaceted array of media, ranging from the traditional ones (etching, lithograph) to the most experimental processes, involving sugar or other materials, encapsulates the most relevant aspects of Vedova's art and represents the artist's most genuine and expressive contribution to the evolution of the art of his time by virtue of an inexhaustible cultural and political commitment.
2023
Galleria Bellinzona
Lecco
Corrado Albicocco, Francesco Guzzetti, Elena Lissoni, Valentina Raimondo
Emilio Vedova. Opera grafica 1959-2004
Francesco Guzzetti
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1347459
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