In the essay the relationship between Alighiero Boetti and Salvo (Salvatore Mangione) is analyzed with special focus on the early years of activity of the latter. In this respect, great attention is paid to the investigation of the themes of Salvo's art vis-à-vis Boetti's interest in play as a metaphor of the artistic practice. A few key works by Salvo, such as the "Autoritratti" and the hand-written books, are extensively explored.

"L'arte è una buffa faccenda". Tratteggio di Boetti e Salvo / Francesco Guzzetti. - STAMPA. - (2017), pp. 21-30.

"L'arte è una buffa faccenda". Tratteggio di Boetti e Salvo

Francesco Guzzetti
2017

Abstract

In the essay the relationship between Alighiero Boetti and Salvo (Salvatore Mangione) is analyzed with special focus on the early years of activity of the latter. In this respect, great attention is paid to the investigation of the themes of Salvo's art vis-à-vis Boetti's interest in play as a metaphor of the artistic practice. A few key works by Salvo, such as the "Autoritratti" and the hand-written books, are extensively explored.
2017
Edizioni Casagrande
Bellinzona
Marco Franciolli, Bettina Della Casa, Francesco Guzzetti, Giorgio Verzotti, Laura Cherubini, Giulio Paolini, Massimo Minini, Paul Maenz, Pier Luigi Pero, Giovanni Michelagnoli, Alessandro Nieri, Gian Enzo Sperone
Boetti/Salvo. "Vivere lavorando giocando" / "Living working playing"
Francesco Guzzetti
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1359254
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