The essay provides an insight into the practice of Giuseppe Penone, focusing on the dual status of imprint as an indexical act as much as the result of a projection. By virtue of such analysis, the imprint, which is at the very core of the artist's vision, is presented as a multifaceted concept, which reconnects Penone to the highest tradition of art history as much as positions his work as a major expression of contemporary art.

L'impronta, indice e proiezione / The Imprint: Index and Projection / Francesco Guzzetti. - STAMPA. - (2024), pp. 27-31.

L'impronta, indice e proiezione / The Imprint: Index and Projection

Francesco Guzzetti
2024

Abstract

The essay provides an insight into the practice of Giuseppe Penone, focusing on the dual status of imprint as an indexical act as much as the result of a projection. By virtue of such analysis, the imprint, which is at the very core of the artist's vision, is presented as a multifaceted concept, which reconnects Penone to the highest tradition of art history as much as positions his work as a major expression of contemporary art.
2024
Skira
Milano
Jonas Storsve, Jean-Christophe Bailly, Olivier Cinqualbre, Carlo Ossola, Francesco Guzzetti
Giuseppe Penone. Impronte di luce
Francesco Guzzetti
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1422312
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