The article outlines an historical overview on the techniques of hand and stencil colouring in early cinema. Colour is conceived as an attraction especially related to four main practices: light effects, pyrotechnics, scenic design and close-up.
La veduta colorata. Colore e attrazione nel cinema delle origini / Pierotti, Federico. - STAMPA. - (2016), pp. 35-40.
La veduta colorata. Colore e attrazione nel cinema delle origini
PIEROTTI, FEDERICO
2016
Abstract
The article outlines an historical overview on the techniques of hand and stencil colouring in early cinema. Colour is conceived as an attraction especially related to four main practices: light effects, pyrotechnics, scenic design and close-up.
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