Stefano Righetti Painting and photography. Two ontologies of the portrait, between Simmel and Barthes Which ontologies of the image can we derive from the pictorial portrait and the photographic one? Georg Simmel’s analyses of Rembrandt and Roland Barthes’s of photography can give us a cue to answer this question. This essay proposes a reading based on the ontological difference that the photographic portrait, as read by Barthes, and the pictorial one, as interpreted by Simmel, establish with the dimension of time and space.
PITTURA E FOTOGRAFIA. DUE ONTOLOGIE DEL RITRATTO TRA SIMMEL E BARTHES / Paola Bristot, Alberto Giorgio Cassani, Gaetano Cataldo, Lidia Chervatin, Ivana D’Agostino, Gabriella Dalesio, Andrea De Micheli, Alessandro Di Chiara, Thomas Harrison, Giuseppe La Bruna, Angelo Maria Monaco, Aureliano Mostini, Pierluigi Panza, Federica Pau, Stefano Righetti, Saverio Simi de Burgis, Gloria Vallese, Luana Zanella, Roberto Zanon; Righetti S. - STAMPA. - (2021), pp. 125-140.
PITTURA E FOTOGRAFIA. DUE ONTOLOGIE DEL RITRATTO TRA SIMMEL E BARTHES
Righetti S
2021
Abstract
Stefano Righetti Painting and photography. Two ontologies of the portrait, between Simmel and Barthes Which ontologies of the image can we derive from the pictorial portrait and the photographic one? Georg Simmel’s analyses of Rembrandt and Roland Barthes’s of photography can give us a cue to answer this question. This essay proposes a reading based on the ontological difference that the photographic portrait, as read by Barthes, and the pictorial one, as interpreted by Simmel, establish with the dimension of time and space.
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