The essay focuses on the use of polychromy by Italian sculptor Marino Marini. In the late 1940s, the artist addressed sculptural and painterly sources, ranging from ancient civilizations to cubism, and developed a distinctive style of polychrome sculpture. By positioning his practice within the broader discussione around the (mis)fortune of sculpture and polychromy, the essay sheds light on a specific side of the practice of Marini, which ultimately resonated with the sensibility of the artist and his generation in the postwar years.
Marini, o della policromia / Francesco Guzzetti. - STAMPA. - (2012), pp. 107-113.
Marini, o della policromia
Francesco Guzzetti
2012
Abstract
The essay focuses on the use of polychromy by Italian sculptor Marino Marini. In the late 1940s, the artist addressed sculptural and painterly sources, ranging from ancient civilizations to cubism, and developed a distinctive style of polychrome sculpture. By positioning his practice within the broader discussione around the (mis)fortune of sculpture and polychromy, the essay sheds light on a specific side of the practice of Marini, which ultimately resonated with the sensibility of the artist and his generation in the postwar years.
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