This essay aims to analyse the representations of the body in Luigi Meneghello’s literary production, specifically focusing on three aspects: the materiality of language and the morphological ontology of thought; corporeal representation of geographical spaces; posthuman condition and biomechanical hybrids. It follows that the «DNA del reale», which has always been a structuring force behind the writer’s epistemological drive, resides in a dense materiality, composed of flesh, which can also be examined through philosophical currents of phenomenology.
Il codice, la materia, il derma. Scritture dei corpi in Luigi Meneghello / Salvadori Diego. - ELETTRONICO. - (2024), pp. 295-303. [10.36253/979-12-215-0565-8.32]
Il codice, la materia, il derma. Scritture dei corpi in Luigi Meneghello
Salvadori Diego
2024
Abstract
This essay aims to analyse the representations of the body in Luigi Meneghello’s literary production, specifically focusing on three aspects: the materiality of language and the morphological ontology of thought; corporeal representation of geographical spaces; posthuman condition and biomechanical hybrids. It follows that the «DNA del reale», which has always been a structuring force behind the writer’s epistemological drive, resides in a dense materiality, composed of flesh, which can also be examined through philosophical currents of phenomenology.I documenti in FLORE sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



