The essay examines the figure of the Swiss-Italian art collector Renato Wild, who distinguished himself for his interest in the applied arts, which culminated in the establishment of the Ar.Ca company in association with the architect Guglielmo Ulrich, but also for his passion for the paintings of Leonor Fini, of whom he was one of the main collectors in Italy and worldwide. On the basis of previously unpublished documents, the contribution reconstructs for the first time the history and personality of this important art collector in post-World War II Italy.
Collectionner Leonor Fini en Italie dans les années 1950 et 1960: notes pour un portrait de Renato Wild / Nigro Alessandro. - ELETTRONICO. - 3:(2022), pp. 238-289.
Collectionner Leonor Fini en Italie dans les années 1950 et 1960: notes pour un portrait de Renato Wild
Nigro Alessandro
2022
Abstract
The essay examines the figure of the Swiss-Italian art collector Renato Wild, who distinguished himself for his interest in the applied arts, which culminated in the establishment of the Ar.Ca company in association with the architect Guglielmo Ulrich, but also for his passion for the paintings of Leonor Fini, of whom he was one of the main collectors in Italy and worldwide. On the basis of previously unpublished documents, the contribution reconstructs for the first time the history and personality of this important art collector in post-World War II Italy.I documenti in FLORE sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.