This essay focuses on the third and final novel of French writer Camille Mallarmé, "L'Amour Sans Visage" (1924), marking her farewell to literature. Through a detailed analysis, the essay highlights the autobiographical elements woven into the narrative, offering a profound insight into the author’s personal journey. The novel, both intimate and universal, addresses themes of identity, loss, and self-discovery, with a particular emphasis on gender issues. By examining the novel’s structure, character development, and symbolic choices, the essay reveals how Mallarmé’s work serves as a poignant reflection on the social and cultural constraints imposed on women, making it a significant contribution to gender studies.

Modulazioni dell'addio. Intorno al terzo romanzo di Camille Mallarmé / Diego Salvadori. - ELETTRONICO. - (2024), pp. 129-134.

Modulazioni dell'addio. Intorno al terzo romanzo di Camille Mallarmé

Diego Salvadori
2024

Abstract

This essay focuses on the third and final novel of French writer Camille Mallarmé, "L'Amour Sans Visage" (1924), marking her farewell to literature. Through a detailed analysis, the essay highlights the autobiographical elements woven into the narrative, offering a profound insight into the author’s personal journey. The novel, both intimate and universal, addresses themes of identity, loss, and self-discovery, with a particular emphasis on gender issues. By examining the novel’s structure, character development, and symbolic choices, the essay reveals how Mallarmé’s work serves as a poignant reflection on the social and cultural constraints imposed on women, making it a significant contribution to gender studies.
2024
979-12-215-0408-8
“Ognuno porta dentro di sé un mondo intero”. Saggi in onore di Ayşe Saraçgil
129
134
Diego Salvadori
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Utilizza questo identificatore per citare o creare un link a questa risorsa: https://hdl.handle.net/2158/1387212
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